“CRIME AND PUNISHMENT” NÚM. 51 (JUNIO 1952) Resumen En las líneas a continuación se pretende presentar a la película The Joker como un referente crítico de la subjetividad contemporánea, para lo cual se ordenaron tres ejes de análisis. El primero se concentra en el rostro del personaje, aventurando un abordaje iconográfico que nos conduce...
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