Ryoko Akama ¿Cómo configuramos el territorio en el que una música ocurre? ¿De qué manera trazamos sus bordes? ¿Qué es lo que lo compone, o más bien, qué es lo que se compone en una situación semejante? ¿Cuál es su duración, su cualidad, su potencia? ¿Cómo incide la escucha en un proceso semejante? La...
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