Categoría: #0 – Deleuze

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Part 1: Cinema 1: The Movement-Image

  Gilles Deleuze’s Bergsonian Film Project   Both Gilles Deleuze and Henri Bergson were, to extremely varying degrees, philosophers interested in cinema who used cinema to suit their particular intellectual needs. In the case of Bergson, he cultivated his ideas during a zeitgeist that included the invention of cinema (late 19th century). To a large...


Part 2: Cinema 2: The Time-Image

  Gilles Deleuze’s Bergsonian Film Project   In his second book Deleuze tackles temporality in a more direct fashion. Although the book is considerably longer than the first (344 to 250 pages), Deleuze does not propose rigid or neat classifications. The central shift remains from a cinema that defined itself primarily through motion to one...